Fonseca touching on sensitive topics
PWJW_IndyReviews, StageAyshah Matthews, Ben Dobler, Bernard Killian, Black culture, Black hair, Boston, Can I Touch It?, comedy, D’yshe Mansfield, Dena Toler, Fonseca Theatre Company, Francisca Da Silveira, Jeanne Bowling, John, Joshua Short, Lanetta Chandler, Mad Brown, Maggie Ward, Peter Scharbrough, play, review, Ronni Watts
By John Lyle Belden
March 19, 2025
can i touch it? by Francisca Da Silveira is about Black women’s hair. It is about Black women. It is about a Black neighborhood facing change, and a Black family in the middle of it.
This comedy addresses, according to director Dena Toler, the many ways people of color are “touched,” personally and collectively. Counter to the old saying, “It’s a Black thing, you wouldn’t understand,” this is a theatrical opportunity to get past clumsy questions and listen to the answers we need to absorb.
A helpful bit of context: According to Boston.gov, the central neighborhood of Roxbury is “the heart of Black culture” in the city. However, the headline of the web page says, “We’re bringing this historic neighborhood into the 21st century.” – Who is “We”? – Keep this in mind when you see this show at Fonseca Theatre Company.
Shay (Lanetta Chandler) is having trouble getting a loan to help sustain her wig and beauty supply shop on Dudley Square in Roxbury. She runs it with her sole employee, and cousin, Meeka (D’yshe Mansfield), who also has braiding skills. Shay’s daughter Ruth (Ronni Watts) is finishing high school and doesn’t want to settle for the local college, Northeastern University.
The issues with the loan seem to coincide with Patron Bank also having designs on Dudley Square for development with modern multi-level, multi-use buildings. Shay and her friend since childhood, Mark (Peter Scharbrough), are among locals meeting with the bank’s representative, Beth (Mansfield), who addresses them with a saccharine smile and thinly-veiled condescension.
Watts also plays Lili, a customer at Shay’s shop who also works at Patron; Scharbrogh is also Nicky, a barber in Somerville (just outside Boston) and friend of Meeka.
This heart of Black culture has a beat which rises up between scenes as the title question and others, such as “Is it expensive?” and “Does it hurt?” are considered one at a time.
“We live in the compromise,” Shay says, and Chandler gives her a weary optimism of one who has lived in that mode her whole life. Mansfield contributes much of the comedy in her portrayals of both eager and feisty Meeka and blonde bitch Beth. Watts gives us Ruth feeling caught between concern for her mother and worry for her future. Scharbrough, as all the white men in the cast, gives Mark and Nicky distinctive positive personalities. He also has a moment as an unhelpful loan officer.
It is fitting that with those in more than one role, much of the difference is reflected in the wigs worn. Watts truly looks like two different people as the girl Ruth with natural hair and the woman Lili with a long straight weave.
Credit, then, to Jeanne Bowling for costumes and props (including the hairpieces, I presume). Bernard Killian designed the stage with components that change from Shay’s shop to other locations as needed, aided by lighting by Ben Dobler. Ayshah Matthews is assistant director and Maggie Ward is stage manager, aided by Mad Brown.
Joshua Short makes an appearance as an online video influencer.
Serious stuff with some laugh-out-loud moments and answers to bothersome questions – perhaps raising a few more – can i touch it? runs through March 30 at 2508 W. Michigan St., Indianapolis. Get tickets and info at fonsecatheatre.org.
